"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

"This dreamlike cabaret is part musical theater, part burlesque, part aerial and acrobatics and all fun." - Broadway World

"A glamorous look back at the Belle Epoque and the Age of Absinthe" - Seattle Magazine

"An ode to artistic romanticism... a beguiling, mildly naughty and well-provisioned evening." - Seattle Times

"Bohemia brings a beautiful classical work of erotic art to The Triple Door...From the staging to the classical music this production is pure art." - Seattle Gay News

Keola Beamer & Henry Kapono are two legends of Hawaiian music. Each became an icon in the 1970s, both at the creative forefront as Hawaiian music reinvented itself. They have continued to lead the way for over 4 decades.

Despite their common history, Keola & Henry only performed together for the first time in 2014, when Henry invited Keola & Moana Beamer to be part of Back in the Day performances. This successful annual show featured Hawai‛i’s musical greats who shaped Hawaiian music from the ‘70s forward, as part of the “Hawaiian Renaissance” — the seminal movement in Hawai‛i’s cultural history that brought language, music, hula, art, and all aspects of Hawaiian culture back to their central place in the life of the Islands.

Touring together, Keola & Henry with Keola’s wife Moana performing hula, have been greeted by wildly enthusiastic audiences, celebrating their original songs that have become beloved contemporary Hawaiian classics.Share the spirit of the Islands with these Legends!

Robbie Christmas (known by some as RX) is a singer-songwriter and multi-instrumentalist based in Seattle, Washington. He is best known for his skills in both acoustic and electric guitar, his familiar yet artful sound, and his rare, compelling vocals. Robbie’s most recent album release “Epilogue" was inspired by albums like Derek and The Dominoes’ “Layla and Other Assorted Love Songs,” John Mayer’s “Continuum,” and James Bay’s “Chaos And The Calm.”

Robbie Christmas & Company will showcase original music from his entire catalogue, including the releases “Far and Few Between” and “When I Finally Get Myself Together” and “Epilogue”. The line-up includes: Jason Lackie (samples, guitar, percussion) William Mapp (drums), Bill Nordwall (keys, synth, organ), Leif Dalan (keys, synth, organ), Jarrett Samples (guitar), Greg Olson (bass), and vocalists Nik Singleton, Kat Murray, and Cam Brownell.

Robbie Christmas (known by some as RX) is a singer-songwriter and multi-instrumentalist based in Seattle, Washington. He is best known for his skills in both acoustic and electric guitar, his familiar yet artful sound, and his rare, compelling vocals. Robbie’s most recent album release “Epilogue" was inspired by albums like Derek and The Dominoes’ “Layla and Other Assorted Love Songs,” John Mayer’s “Continuum,” and James Bay’s “Chaos And The Calm.”

Robbie Christmas & Company will showcase original music from his entire catalogue, including the releases “Far and Few Between” and “When I Finally Get Myself Together” and “Epilogue”. The line-up includes: Jason Lackie (samples, guitar, percussion) William Mapp (drums), Bill Nordwall (keys, synth, organ), Leif Dalan (keys, synth, organ), Jarrett Samples (guitar), Greg Olson (bass), and vocalists Nik Singleton, Kat Murray, and Cam Brownell.

At just 32 years old, Robbie has accrued 15+ years of experience in the music industry that have earned him an ardent following in the Pacific Northwest and beyond. Some noteworthy milestones include:

• Performing alongside and collaborating with Grammy Award Winning artists like Jakob Dylan and the Wallflowers, Train and Tower of Power

• In 2014 and 2017 he was invited to sing the National Anthem at Lumen Field for the Seattle Seahawks

• His songs "Reckless" and "Walla Walla" (featured on "Epilogue") were warmly received by both local radio stations (KEXP) and internationally; even catching the attention of TikTok and YouTube personalities including "Baby Ariel" who was the first to share "Reckless" to her 35 million followers

The Silos, the still-kicking band Walter Salas-Humara co-founded in New York’s post-punk ‘80s scene played Alt-Rock, Alt-Country, and Americana before any critics coined those terms. They were named Best New Artist in the 1987 Rolling Stone Critics Poll. Throughout Salas-Humara’s career his voice has remained textured like a walnut; meanwhile, his narratives focus not on interior, abstract weaves of doubts and anxieties but on storytelling. He renders small incidents in granular detail that take on the weight of attentive, convincing poetry and wry wordplay. Each tune is marked by such humanity, which offers much refuge in a convulsive time.

Chuchito Valdés, following in the footsteps of his famed father Chucho Valdés and grandfather Bebo Valdés, continues the legacy of great piano players form Cuba.

With influences of Caribbean rhythms and jazz, Chuchito creates an exciting and energetic blend of spicy music that drives audiences wild. This piano master captivates with his sensitivity and drives excitement with his dynamic band.

Chuchito has recorded and performed piano with the world renown Cuban band, Irakere, which he led for 2 years. He has also performed at festivals, clubs and concerts throughout the world: from Cuba and the Caribbean to North America, South America, and Europe.

Chuchito is recognized as a master of Cuban music including Son, Danzon, Cuban Timba and Guaguanco. He has also extensively studied classical music including harmony and composition. His original compositions and arrangements draw on classical harmonic and structural techniques. In his performances, Chuchito’s music draws on many styles including Afro-Cuban Latin Jazz, Bebop, Danzon, Cha-Cha-Cha, Son Montuno and much more. Chuchito Valdés currently resides in Cancun, Mexico and is a frequent performer in the United State and Canada.

At the Moonbase, the fourth full-length album from Slaughter Beach, Dog, is a return to form for Philadelphia bandleader Jake Ewald. Written and recorded alone at home and at The Metal Shop, Ewald’s East Kensington recording studio, the album tracks an exercise in solitary production not unlike Slaughter Beach, Dog’s 2016 debut Welcome or 2017’s Motorcycle.JPG. On the heels of 2019’s Safe and Also No Fear, Ewald’s latest offering brings expanded arrangements and sharpened storytelling as he conjures salad days over slacker rock (“Do You Understand”), dark grooves of seedy city life (“Song for Oscars”), and even a barroom-piano-driven “escapade through the great American bedroom” (“A Modern Lay”). At the Moonbase arrives December 24th on Lame-O Records.

Created by the founder of What the Funk?! An All BIPOC Burlesque Festival, Mx. Pucks A’Plenty, Fatlesque Fest Northwest is on a mission to thicken up burlesque stages all over the country, starting with The Triple Door in Seattle, Washington.

Mx. Pucks A'Plenty is the Director of Junk in da Trunk, the Michelle Obama of Burlesque, and Seattle's Own Mxtress of Thiccness! They are the #17 Most Influential Burlesque Industry Figure of 2021, as voted for by thousands of burlesque fans and peers worldwide by 21st Century Burlesque Magazine. This roguish radical is always ready to ride whether it be behind the scenes or on stage. Spreading their black queer magic where ever they go, Pucks is always in control. Pucks is also the founder and co-producer behind What the Funk?! An All POC Burlesque Festival and is the co-producer behind Identities and Expressions: A Virtual Trans & Nonbinary Performing Arts Festival.

Created by the founder of What the Funk?! An All BIPOC Burlesque Festival, Mx. Pucks A’Plenty, Fatlesque Fest Northwest is on a mission to thicken up burlesque stages all over the country, starting with The Triple Door in Seattle, Washington.

Mx. Pucks A'Plenty is the Director of Junk in da Trunk, the Michelle Obama of Burlesque, and Seattle's Own Mxtress of Thiccness! They are the #17 Most Influential Burlesque Industry Figure of 2021, as voted for by thousands of burlesque fans and peers worldwide by 21st Century Burlesque Magazine. This roguish radical is always ready to ride whether it be behind the scenes or on stage. Spreading their black queer magic where ever they go, Pucks is always in control. Pucks is also the founder and co-producer behind What the Funk?! An All POC Burlesque Festival and is the co-producer behind Identities and Expressions: A Virtual Trans & Nonbinary Performing Arts Festival.

Deb Talan has been writing songs since she was 14 years old. Granted, her style has changed a bit since writing the forever-unknown smash-hit “Through the Window” about feeling numb, like life was going on somewhere out there but not accessible to her (at 14. so jaded.) She played clarinet, wrote songs on piano, later taught herself to play guitar in college, got obsessed with Shawn Colvin, was a vegetarian for 4 years, ended that with a hot dog and a swim in Lake Michigan, started a band in Portland, Oregon with her friend Mark, named it Hummingfish, wrote a lot of fun songs that people danced to ‘til they were all sweaty in that hipster/grungy/geeky Northwest kind of way.

The internationally touring show Kalimba, The Spirit of Earth Wind and Fire provides an Earth Wind & Fire experience so satisfying it transports audiences back to the excitement of the first time they heard these unforgettable songs. Reproducing the infectious grooves created by EWF’s late founder Maurice White, Kalimba pays homage to Maurice with its exciting stage and lighting production. The show authentically replicates the signature high notes of Philip Bailey, the thick vocals harmonies of Maurice and Ralph Johnson, along with the grooving bass lines of Verdine White.

The internationally touring show Kalimba, The Spirit of Earth Wind and Fire provides an Earth Wind & Fire experience so satisfying it transports audiences back to the excitement of the first time they heard these unforgettable songs. Reproducing the infectious grooves created by EWF’s late founder Maurice White, Kalimba pays homage to Maurice with its exciting stage and lighting production. The show authentically replicates the signature high notes of Philip Bailey, the thick vocals harmonies of Maurice and Ralph Johnson, along with the grooving bass lines of Verdine White.

Remember in December, when you could celebrate the holidays with your friends and family in the most festive and glamorous way? Well this year, you can swing in the season again with us! Lily Verlaine and Jasper McCann are elated to announce the long-awaited return of their award-winning wintertime spectacle, Land of the Sweets: The Burlesque Nutcracker. Voted “The Best Burlesque In Western Washington” (KING 5), Land Of The Sweets has delighted thousands of holiday revelers since 2006, and is Seattle’s most glamorous holiday tradition!

All your favorite characters will be back, including Lily Verlaine’s Sugar Plum Fairy, the light-juggling magic of Babette La Fave, the ever-loveable Snowflakes… and of course the swinginest band in the Land, The Nutcracker Nonette!